Jill Bialosky, the poet behind the “tender, absorbing, and deeply moving memoir” (Entertainment Weekly) History of a Suicide, returns with a lyrical portrait of her mother’s life, told in reverse order from burial to birth.
Jill is the author of five acclaimed collections of poetry, most recently Asylum. Her poems have appeared in The New Yorker, The New York Times, and The Atlantic, among others. She is the author of many novels including, The Deceptions, and several works of nonfiction including The End Is the Beginning, History of a Suicide, and Poetry Will Save Your Life. In 2015, Jill was honored by the Poetry Society of America for her distinguished contribution to the field of poetry. She lives in New York City.
HER LATEST BOOK
When Iris Yvonne Bialosky died in an assisted care facility on March 29, 2020, it unleashed a torrent of emotions in her daughter, Jill Bialosky. Grief, of course, but also guilt, confusion, and doubt, all of which were compounded by the arrival of the COVID-19 pandemic which made it impossible for Jill to be with her mother as she was dying and to attend her mother’s funeral.
Now, with a poet’s eye for detail and a novelist’s flair for storytelling, Jill presents a profoundly moving elegy unlike any other. Starting with her mother’s end and the physical/cognitive decline that led her to a care home, The End Is the Beginning explores Iris’s battle with depression, the tragedy of a daughter’s suicide, a failed second marriage, the death of her beloved first husband only five years into their young marriage, her joyful teenage years, and the trauma of losing her own mother at just eight years old. Compounding her challenges of raising four daughters without a livelihood or partner, Iris’s life coincided with an age of unstoppable social change and reinvention, when the roles of wife and mother she was raised to inhabit ceased to be the guarantors of stability and happiness.
As we see Iris become younger and younger, we learn how we are all the sum of our experiences. Iris becomes a multi-dimensional, fascinating woman. We come to understand her difficulties and shortcomings, her neediness and her generosity, her pride and her despair. The End Is the Beginning is not just a family memoir, it is a brave and compassionate celebration of a woman’s life and death and a window into a daughter’s inextricable bond to her mother.
The End Is the Beginning: A Personal History of My Mother.
By Jill Bialosky
May 2025. 272p. - Booklist review
"Novelist Bialosky (The Deceptions, 2022) honors her mother, Iris, by telling her story in reverse, as indicated by the title of this exquisitely written portrait. We meet Iris in the grip of dementia in her final days, when COVID-19 strands Bialosky on Long Island, unable to be with her mother in Cleveland. Looking back, she tracks the relentless stages of Alzheimer’s, including her mother’s move from the family home she’d lived in for five decades to assisted living.
May 2025. 272p. - Booklist review
"Novelist Bialosky (The Deceptions, 2022) honors her mother, Iris, by telling her story in reverse, as indicated by the title of this exquisitely written portrait. We meet Iris in the grip of dementia in her final days, when COVID-19 strands Bialosky on Long Island, unable to be with her mother in Cleveland. Looking back, she tracks the relentless stages of Alzheimer’s, including her mother’s move from the family home she’d lived in for five decades to assisted living.
Earlier,
Iris' three older daughters, very close in age, left to launch their own lives, while her youngest
daughter, the child of a short-lived second marriage, dies by suicide. Then back to the shocking
death of Bialosky’s father when he was only 30, leaving Iris, 25, with three children in diapers.
The further back the story goes, the deeper “the legacy of mental pain.” Bialosky captures
gorgeously resonant, illuminating details and expresses deeply poignant and keen feelings and
insights. The unspooling of time creates a spellbinding and suspenseful narrative, and Iris shines
in all her beauty and love, sorrow and courage." — Donna Seaman
Jill Bialosky is an Executive Editor and Vice President at W. W. Norton & Company. She edits fiction, poetry, and nonfiction. Some titles she has edited in fiction include History of Love by Nicole Krauss, The Family Chao by Lan Samantha Chang (one of Obama’s favorite books of 2022); The Five Wounds by Kirstin Valdez Quade, winner of the Center for Fiction First Novel Award, Bonnie Jo Campbell’s The Waters, a Jenna Bush bookclub pick.
She has edited Booker Prize winning The Seven Moons of Mali Almedia by Shehan Karunatilaka, and Booker Finalists, The Shadow King by Maaza Mengiste, Madeliene Thien’s, Do not Say We Have Nothing, and Neel Mukerhjee’s The Lives of Others.
Other titles include In Other Rooms, Other Wonders by Daniyal Mueenuddin
(finalist for the Pulitzer and National Book awards), Family Life by Akhil Sharma winner of the IMPAC Prize and one of the top ten NYTBR Books of the Year, as well as Claire Messud’s, NYT bestseller, The Burning Girl and her most recently acclaimed This Strange Eventful History. Other fiction authors she has published are Ann Hood, Roxana Robinson, Molly Antopol, Manil Suri, Rose Tremain, Mark Slouka, John Dufresne and Bernard McClaverty. She has edited all of Mary Roach’s bestselling books including Stiff and most recently, Fuzz.
In nonfiction, she is interested in popular science writers such as Florence Williams bestselling , The Nature Fix; cultural critics such as Olivia Laing (The Garden Against Time) and Adam Kirsch, memoir writers such as Joy Harjo’s Crazy Brave and Poet Warrior, Suzanne Koven’s, Letters to a Female Physician and memoirs by Nick Flynn author of Another Bullshit Night in Suck City and Ann Hood’s Fly Girl.
She is interested in books on psychology and psychological history and has published Richard Grinker’s Nobody’s Normal and George Makari’s Soul Machine, and Of Fear and Strangers: A History of Xenophobia, winner of the Anisfield-Wolf Book Award, along with works on feminism and women’s studies by authors such as Sandra Gilbert and Susan Gubar recepients of the Ivan Sandrof Lifetime Achievement Award of the National Book Critics Circle.
Some of the poets she has worked with include three term poet Laurete, Joy Harjo, Rita Dove, Martin Espada, (winner of the National Book Award), Adrienne Rich (recipient of the National Medal of Honor from the National Book Award), Audre Lorde, Ai, (winner of the National Book Award,) BH Fairchild, (winner of the National Book Critics Circle award), Stanley Plumly, (winner of the National Book Critics Circle award), Philip Schultz (Pulitzer Prize winner), Eavan Boland, Joy Harjo, Alice Oswald, Mark Doty, Li-Young Lee, Kim Addonizio, Kimiko Hahn, Alice Fulton, Marie Howe, David Baker, Dorianne Laux, Gerald Stern, Robert Bly, Matthew Dickman, Reginald Dwayne Betts, Roger Reeves (winner of the Griffin Prize and finalist for the National Book Award), John Lee Clark (finalist for the National Book Award), among others.
She is interested in books on psychology and psychological history and has published Richard Grinker’s Nobody’s Normal and George Makari’s Soul Machine, and Of Fear and Strangers: A History of Xenophobia, winner of the Anisfield-Wolf Book Award, along with works on feminism and women’s studies by authors such as Sandra Gilbert and Susan Gubar recepients of the Ivan Sandrof Lifetime Achievement Award of the National Book Critics Circle.
Some of the poets she has worked with include three term poet Laurete, Joy Harjo, Rita Dove, Martin Espada, (winner of the National Book Award), Adrienne Rich (recipient of the National Medal of Honor from the National Book Award), Audre Lorde, Ai, (winner of the National Book Award,) BH Fairchild, (winner of the National Book Critics Circle award), Stanley Plumly, (winner of the National Book Critics Circle award), Philip Schultz (Pulitzer Prize winner), Eavan Boland, Joy Harjo, Alice Oswald, Mark Doty, Li-Young Lee, Kim Addonizio, Kimiko Hahn, Alice Fulton, Marie Howe, David Baker, Dorianne Laux, Gerald Stern, Robert Bly, Matthew Dickman, Reginald Dwayne Betts, Roger Reeves (winner of the Griffin Prize and finalist for the National Book Award), John Lee Clark (finalist for the National Book Award), among others.
PRAISE
Praise for The End is the Beginning
“In this new book, Bialosky’s authorship has never been more powerfully poignant. . . . The End Is the Beginning offers an energizing, well-paced meditation on loss and living.” —Los Angeles Review of Books
“Bialosky delivers a nuanced portrait of her mother, Iris, who died in 2020. . . . [she] approaches the heavy subject matter with a light touch and casually profound prose. Readers will be moved.” —Publisher's Weekly (starred review)
“Exquisitely written. . . [Bialosky] expresses deeply poignant feelings and insights. . . spellbinding.” —Booklist
“[A] daughter’s poignant effort to see the whole of [her mother’s] life… For most of us, it takes a lifetime to see our parents as full and complex people; for Bialosky, it takes just over 200 pages.” —Oprah Daily
“[A]n affecting family history of loss and grief.” —Kirkus Reviews
“Jill Bialosky is a wonderfully talented novelist, poet, and longtime Executive Editor and Vice President of W. W. Norton & Company. Her exquisite prose is evident on every page of The End is the Beginning. . . we can rejoice alongside her in this hard-won accomplishment.” —New York Journal of Books
“This richly sympathetic memoir deserves—and will surely find—a noted position in the history of mother-daughter books through the tender-hearted work of Jill Bialosky.” —Vivian Gornick, critically acclaimed author of Fierce Attachments
“Reading The End Is the Beginning is like opening a set of nesting dolls. With each lyrical, finely wrought chapter, Jill Bialosky takes us back in time, revealing era after era of her mother’s life, from her final days to her girlhood. The End Is the Beginning is as smart and inventive as it is deeply moving. What we find at the center of the story, and the life, is love.” —Maggie Smith, New York Times bestselling author of You Could Make This Place Beautiful
“Be a lamp or a lifeboat or a ladder, Rumi says. This compassionate, lyrical and clear-eyed memoir is all three. A gift to anyone with a family.” —Amy Bloom, New York Times bestselling author of In Love
“Like Annie Ernaux, Bialosky is scrupulous and unsentimental in her account; this rigor is, itself, a testament of great love. The End is The Beginning is an unforgettable and profoundly moving book.” —Claire Messud, critically acclaimed author of This Strange Eventful History
“How do you endure the unendurable? When Jill Bialosky's mother finally succumbed to Alzheimer's at the height of the pandemic, she couldn't even be there to bear witness. This book is an atonement: a brave and eloquent assessment of a life battered by loss and ennobled by resilience.” —Geraldine Brooks, Pulitzer Prize-winning author, most recently of Horse
Praise for The End is the Beginning
“In this new book, Bialosky’s authorship has never been more powerfully poignant. . . . The End Is the Beginning offers an energizing, well-paced meditation on loss and living.” —Los Angeles Review of Books
“Bialosky delivers a nuanced portrait of her mother, Iris, who died in 2020. . . . [she] approaches the heavy subject matter with a light touch and casually profound prose. Readers will be moved.” —Publisher's Weekly (starred review)
“Exquisitely written. . . [Bialosky] expresses deeply poignant feelings and insights. . . spellbinding.” —Booklist
“[A] daughter’s poignant effort to see the whole of [her mother’s] life… For most of us, it takes a lifetime to see our parents as full and complex people; for Bialosky, it takes just over 200 pages.” —Oprah Daily
“[A]n affecting family history of loss and grief.” —Kirkus Reviews
“Jill Bialosky is a wonderfully talented novelist, poet, and longtime Executive Editor and Vice President of W. W. Norton & Company. Her exquisite prose is evident on every page of The End is the Beginning. . . we can rejoice alongside her in this hard-won accomplishment.” —New York Journal of Books
“This richly sympathetic memoir deserves—and will surely find—a noted position in the history of mother-daughter books through the tender-hearted work of Jill Bialosky.” —Vivian Gornick, critically acclaimed author of Fierce Attachments
“Reading The End Is the Beginning is like opening a set of nesting dolls. With each lyrical, finely wrought chapter, Jill Bialosky takes us back in time, revealing era after era of her mother’s life, from her final days to her girlhood. The End Is the Beginning is as smart and inventive as it is deeply moving. What we find at the center of the story, and the life, is love.” —Maggie Smith, New York Times bestselling author of You Could Make This Place Beautiful
“Be a lamp or a lifeboat or a ladder, Rumi says. This compassionate, lyrical and clear-eyed memoir is all three. A gift to anyone with a family.” —Amy Bloom, New York Times bestselling author of In Love
“Like Annie Ernaux, Bialosky is scrupulous and unsentimental in her account; this rigor is, itself, a testament of great love. The End is The Beginning is an unforgettable and profoundly moving book.” —Claire Messud, critically acclaimed author of This Strange Eventful History
“How do you endure the unendurable? When Jill Bialosky's mother finally succumbed to Alzheimer's at the height of the pandemic, she couldn't even be there to bear witness. This book is an atonement: a brave and eloquent assessment of a life battered by loss and ennobled by resilience.” —Geraldine Brooks, Pulitzer Prize-winning author, most recently of Horse
.gif)
