Spotlight feature

Friday, July 22, 2016

Kara L. Duckworth, CFP® Chief Compliance Officer/Principal Duckworth Wealth Advisors joins me Monday at 9:45am pst. We will be talking about two specialized summer finance programs taking place for high school students. The programs are being offered by Center for Investment and Wealth Management (CIWM) at The Paul Merage School of Business.


Duckworth Wealth Advisors
Kara L. Duckworth, CFP®
Chief Compliance Officer/Principal
 
Kara is a wealth manager and the firm’s Chief Compliance Officer. She manages client relationships, provides financial planning services and serves on the firm’s investment committee. Think of her as a friend who will tell you the truth. Kara also manages the firm’s personal office services. To Kara, seeing a client achieve a dream is the most rewarding part of her job.

Named a “5-Star Wealth Manager” by Orange Coast magazine, Kara attended UC Riverside and holds a Bachelor of Science degree in Business Administration from the University of Phoenix. She is a Certified Financial Planner® and a member of the Financial Planning Association. Kara sits on the board of the Center for Investment and Wealth Management for the Paul Merage School of Business at the University of California, Irvine. As if that doesn’t keep her busy enough, she also chairs the steering committee for the school’s Financial Literacy Summer Residential Program.




UC Irvine embarks on personal finance summer programs for high schoolers.

Programs are offered through the Center for Investment and Wealth Management at The Paul Merage School of Business

What: Two specialized summer finance programs are taking place for high school students. The programs are being offered by Center for Investment and Wealth Management (CIWM) at The Paul Merage School of Business.


The programs include:


1) LIFEvest Financial Literacy Program

July 17–23 and July 31–August 6



With generous support from Pacific Alternative Asset Management Company® (PAAMCO), two sessions will be taking place for a one-week, on-campus program dedicated to helping underserved 8th and 9th grade students by teaching life skills in money and investment management in a highly supportive environment. The program’s mission is to instill a continued desire to strengthen understanding of financial matters, encourage admission into a four-year college or university, and to inspire confidence and success in all areas of life. It costs $2,100 to send a student to the LIFEvest Financial Literacy Program; however, the program tuition comes at no cost to the student and is completely funded by CIWM and its sponsors.



Some of the guest speakers include:

· Ryan Bailey, Sales Executive, Fidelity National Title Commercial Services (he is also a four-time Olympic water polo player and UCI alumnus)

· Richard Umphrey, Senior Vice President – Wealth Management, Umphrey & Associates

· Joan Payden, President, CEO and Chair, Payden & Rygel

· Daryl Pelc, Vice President, The Boeing Company



A program for young men entering the 9th and 10th grade is being held from Saturday, July 17 to Sunday, July 23. There are currently 30 young men enrolled in the program.


A program for young ladies entering the 9th and 10th grade is being held from Saturday, July 31 to Sunday, August 6. There are currently 30 young ladies enrolled in the program.



2) Investments, Financial Planning and You

July 25–29


Twenty-five academically motivated high school students are enrolled in UC Irvine’s inaugural summer excellence program. This new, week-long personal wealth management, investing and financial planning program will help students gain a deeper understanding of macroeconomics and global financial markets. Andrew J. Policano, PhD, faculty director for the CIWM and renowned economist; Chris Schwartz, PhD, associate professor of finance at the Merage School; and, Feroz Ansari, MBA, MIM, CFP®, senior principal and portfolio manager for Compak Asset Management, will lead the program.



Students will experience a unique learning environment filled with inspiring presentations, case studies and group projects. They will learn to analyze and evaluate stocks, bonds, mutual funds and ETFs, develop and back test optimal investment portfolios, and familiarize themselves with personal wealth creation and retention. At the close of the program, each student will have created a personal wealth management plan, paving the way for lifelong preparation towards building financial success.

Where:           UCI Campus, Irvine, CA

                           

About the Center for Investment and Wealth Management
The CIWM is one of seven Centers of Excellence at the UC Irvine Paul Merage School of Business. Its mission is to create and disseminate vital, applicable research and knowledge concerning the creation, management and inter-generational transfer of wealth. The Center is gaining national recognition as a source of cutting-edge research and innovative programs that advance our understanding of and successful practice in the field of wealth management, including all of its relevant disciplines and audiences. CIWM is dedicated to the study of global financial markets to gain a better understanding of effective investment management techniques, the overall global financial system and the role and effectiveness of financial markets in fostering socially responsible, sustainable economic growth, the study of wealth management techniques to discover the most effective methods for creating, preserving and growing wealth, assessing philanthropic opportunities, implementing a tax efficient transfer of wealth and building and preserving family legacy and harmony, and the development and delivery of programs and informational reports based on the above research and other information. For more information, visit: merage.uci.edu/ResearchAndCenters/ciwm/, or follow us on Twitter @CIWMFinLit.



About The Paul Merage School of Business at UC Irvine
The Paul Merage School of Business at UC Irvine offers four dynamic MBA programs – plus PhD, specialty masters and undergraduate business degrees – that graduate world-ready business leaders with the exceptional ability to help grow their organizations through strategic innovation, analytical decision-making, information technology and collaborative execution. While the Merage School is relatively young, it has quickly grown to consistently rank among the top 5 percent of all business programs worldwide through exceptional student recruitment, world-class faculty, a strong alumni network and close relationships with both individual business executives and global corporations. Additional information is available at merage.uci.edu.

Thursday, July 21, 2016

Hollywood Beauty Salon Movie Trailer

HOLLYWOOD BEAUTY SALON Directed by: Glenn Holsten (The barefoot artist, oc87) Opens IN NEW YORK on Friday, July 29 at the Village East Cinema. Director Glenn Holsten joins me Monday at 9:30am!



HOLLYWOOD BEAUTY SALON
Directed by: Glenn Holsten (The barefoot artist, oc87)
Opens IN NEW YORK on Friday, July 29 at the Village East Cinema


WINNER! 2016 SAMSHA Voice Award (Sponsored by the U.S. Department of Health and Human Services, Substance Abuse and Mental Health Services Administration)

ABOUT THE FILM
Hollywood Beauty Salon portrays life at an intimate beauty parlor inside of the NHS Germantown Recovery Community, a non-profit mental health program in Philadelphia, where staff and clients alike are in the process of recovery. By gathering together to get their hair done, share stories, and support one another, they find a way to rebuild their lives. The documentary — which was work-shopped at the Salon over the course of four years — is also part of the recovery process, and the subjects of the film played an active part in shaping their own narratives and determining their unique individual styles.

ABOUT GLENN HOLSTEN

Glenn is an award-winning director of documentary films.

The Barefoot Artist, about global artist Lily Yeh, was filmed on four continents and had its theatrical premiere in New York and Los Angeles in December, 2014 and is currently available on Netflix. His most recent national broadcast on PBS, The Barnes Collection, follows Dr. Albert Barnes’ remarkable rise from Philadelphia’s working-class neighborhood to the top of the modern art world. SEE, a film that he created in collaboration with painters Bo Bartlett and Betsy Eby premiered at the Camden Film Festival in 2013.

He directed an eight-part series titled Women In Chemistry, about pioneering women chemists for the Chemical Heritage Foundation. Women In Chemistry appeared on public television as a one-hour television special, as will Scientists You Must Know, a documentary about the people behind the discoveries that changed our world.

Other long-form documentary directing credits include OC87: The Obsessive-Compulsive, Major Depression, Bipolar, Asperger’s Movie, (theatrical release, 2012, Netflix); Seductive Subversion: Women Pop Artists, 1958-1968, (OVATION, 2010); Saint of 9/11, about Father Mychal Judge, the beloved chaplain to the NYC Fire Dept. (Tribeca Film Festival, IFC theatrical release, 2006, Netflix); Gay Pioneers (PBS, 2005); JIM IN BOLD, which harnesses the power of young voices to reveal the challenges and triumphs of being young and gay in America; Thomas Eakins: Scenes from Modern Life (PBS, 2001), a lyrical examination of America through the eyes of the 19th century painter; and HOUSE, a 30-minute film about The Korman Residence in Fort Washington, Pennsylvania that was famed Philadelphia architect Louis I. Kahn’s final residential commission.

He was commissioned by both The Kimmel Center for the Performing Arts and the Pew Charitable Trusts to create a series of moving portraits about artists and their work processes. Glenn is a recipient of a Pew Fellowship in the Arts, an Independence Foundation Fellowship in the Arts, and a Pennsylvania Council on the Arts Fellowship. He has been awarded silver and gold awards from the Corporation for Public Broadcasting for innovative television production. He has been honored with sixteen Mid-Atlantic Emmy Awards. A collection of his work was exhibited in the Philadelphia Museum of Art’s 20th Century Video Gallery.

Glenn has directed films in China, Portugal, Kenya, Rwanda, Northern Ireland, Poland, Bosnia and the Republic of Georgia. In 2000, he traveled to Mongolia, where he conducted a workshop for television professionals that explored creative methods for storytelling on television.

Glenn graduated from The University of Pennsylvania in 1984 with a B.A. in English.


GLENN'S APPROACH
Director Glenn Holsten conducted a 16-week workshop series at the Hollywood Beauty Salon, which created the foundation for the documentary script. Holsten and a film crew collaborated with the women and men who patronize and/or volunteer at the salon to develop individual stories centered around their special Hollywood Beauty experience. Participants discussed the depths of their illnesses and their paths to recovery. They tapped into joyful and painful memories alike — and explored their hopes and dreams for the future.

The final script that emerged from this workshop process is a new kind of documentary — a hybrid that artfully combines real life “vérité” (fly on the wall) sequences of everyday life activity in the beauty parlor with highly crafted filmic sequences employing animation, fantasy, and dramatic reenactment. The film’s subjects decided how their personal histories should be documented and shared; each designed the storytelling approach of his/her section of the film.


The "Hollywood Beauty Salon" is an intimate beauty parlor that happens to be part of the NHS Germantown Recovery Community, a non-profit mental health program in Philadelphia that is administered by NHS Human Services. Rachel "Hollywood" Carr Timms runs the beauty parlor, where staff and clients alike are all in the process of recovery from some form of mental health issue. By gathering together to get their hair done, share stories, and support one another, they find a way to rebuild their lives. The film is built around preparations for their annual "Hair Recovery Show"--their version of a beauty pageant--and it is this exciting undertaking that allows us to meet the characters and hear their stories. The documentary itself—which was workshopped at the Salon over the course of four years—actually ends up being part of the recovery process itself, and the subjects of the film played an active part in shaping their own narratives and determining the unique, individual style of their respective story arcs.

Deeply emotional and highly imaginative, (using animation and other expressionistic effects to convey the interior lives of its subjects), the film was directed by Glenn Holsten, an award-winning Philadelphia-based documentarian whose previous films include OC87: The Obsessive-Compulsive, Major Depression, Bipolar, Asperger’s Movie, a feature-length documentary about recovery from the depths of mental illness through filmmaking, Saint of 9/11, a biography of Father Mychal Judge, the Chaplain to the New York City Fire Department who died on 9/11 which premiered at the Tribeca Film Festival and most recently, The Barefoot Artist, a portrait of artist Lily Yeh which was released last year.

Not rated, Runtime 88 minutes (In English/ Documentary/ USA)

TRAILER:


http://hollywoodbeautysalonmovie.com/

Monday, July 11, 2016

Gary Pihl, Lead Guitarist for the band BOSTON, called in to KUCI 88.9fm Tuesday 7/12/16! We talked about his up-coming show at the Pacific Amphitheatre, how he joined the band in 1985, what it's like to tour all these years, and more!




Costa Mesa, CA Pacific Amphitheatre/OC Fair 

      Saturday, July 16 tickets at pacamp.com

My conversation with Gary Pihl will air on
KUCI 88.9fm
Thursday July 14th at 4pm PST, and
Monday July 18th at 9am PST


You can also LISTEN HERE!



ABOUT GARY PIHL
 Gary does it all: guitars, work in the recording studio, live shows on the road and the architect of the band BOSTON website. He'll provide backup vocals on the 2015 tour. He has been a member of BOSTON since 1985 and is the longest recurring member of Tom Scholz' recording and touring band.


GARY PIHL (pronounced "Peel")


Raised in the suburbs of Chicago for the first 12 years of his life, Gary Pihl relocated to the San Francisco Bay area and has led a musical life ever since. He explains, “I was in several bands in high school. One of our guitar players told me about guy who was really good and giving guitar lessons at the local music store. He was in a band named The Warlocks. We went to see them play at a local pizza parlor. A couple months later they changed their name to the Grateful Dead. The guitarist giving us lessons was Jerry Garcia.” At 19, Gary had his recording debut with Day Blindness in 1969. He says, “After my time in Day
Blindness, I was in a band called Fox with Roy Garcia and Johnny V (Vernazza), who went on to play in Elvin Bishop’s band. We were really fortunate to get to be on some shows with bands we looked up to including opening at the Fillmore for Free (with Paul Rogers). We were on shows with Janis Joplin, Quicksilver Messenger Service, Eric Burdon and War and Mose Allison.”


Gary spent four years in a band called Crossfire. He recalls, “Mitchell Froom was our organist. He’s gone on to be a great producer (Paul McCartney, The Pretenders, Los Lobos, Crowded House, Suzanne Vega, Sheryl Crow, etc.). We were opening some shows for Norman Greenbaum (Spirit in the Sky) when he was performing as a singer/songwriter on acoustic guitar. We had done our set and left the stage to Norman. He was halfway through his set when we noticed the audience was getting restless and wanted him to rock out. In the middle of one of Norman’s songs, our drummer, Steve Jones, got back on stage and started playing! Norman turned around in shock. Then he looked at the rest of us on the side of the stage and waved us up. We’d seen him about a half dozen times so we sort of knew his songs. Mitchell and his brother David (our pianist) have perfect pitch and were telling me and our bassist what the chords were as we went along. The crowd seemed to dig it and we ended the show with a rocked out version of Spirit in the Sky.”

Pihl’s first big break in came in 1977, when he joined Sammy Hagar’s band, where he toured and recorded for 8 years. Gary met Tom Scholz when Hagar was opening for BOSTON between ’77 and ’79. In 1985, Sammy joined Van Halen, however, Pihl didn’t miss a beat. He explains, “Tom called me up when he was working on the Third Stage album, he had one more song left to be recorded and asked me if I’d come out to work with him on it. I was thrilled! It was a dream come true for me to work with one of the greatest bands of all time! I would have crawled on my hands and knees from California to get to work with BOSTON.


As it turned out, I flew directly from Farm Aid (my last gig with Hagar) to Boston, so I wasn’t out of work for a day. I thought, how lucky could a guy get? He told me that there would probably be some touring involved if the album did well, which it did and basically I’m still here.” Tom and Gary traded studio leads on “I Think I Like It,” a high-energy power tune that showcases how well these two virtuosos complement one another. The two of them, who could pass for brothers, are a natural pair on stage. In addition to lead guitar, Gary also plays electric and acoustic 12-string guitar, keyboards, as well as lends backing and harmony vocals.

Gary quickly became indispensable to Tom’s BOSTON efforts. This quintessential multi-tasker has been Scholz’s right-hand man for over 20 years, serving as Vice President of Scholz Research and Development, assisting in building Tom’s Hideaway Studio II, and is a crucial part of the massive technical undertaking of managing the stage equipment on a BOSTON tour, including all of the back line and audio equipment.


He also manages tech people, teaches band performers their parts, organizes rehearsals, integrates the “front of house” sound company system and personnel. Scholz wouldn’t tour without Pihl, saying, “I’d be lost without him. Gary’s the only other person on tour that has a thorough understanding of the complex audio productions systems that turn the efforts of 7 musicians and singers into the perfectly mixed stereo sound coming out the the sound system. That includes everyone, the road crew and the sound reinforcement technicians.” As Kimberley Dahme puts it, “In my opinion, he is the glue that holds BOSTON together. He works with us individually for hours on end, and assists Tom solving all of the problems that come up. He cares. I am so thankful to him, he is amazing. I don’t have enough good things to say about Gary.”



Pihl is an expert professional photo editor, and did all of the editing for the graphics that were required for Corporate America as well as the remastered Boston and Don’t Look Back CD’s. “He’s one of those rare people that has a gift for music and highly technical talents,” states Tom.  Drummer Jeff Neal adds, ” Gary is the most consistent player out there, night after night, you can count on Gary to bring his ‘A’ game. His style is really an excellent blend of great technical ability but also wonderful feel. It ‘ s a standard that young players today should aspire to reach.”


Although the majority of his talent is innate, some was acquired. Gary explains, “My dad always told me to do whatever you want, be the best you can and go to school to learn how. I reminded him that they don’t teach Rock and Roll in college but he said, ‘If you love music, then find out all you can about it.’ He took me to the local college and made me sign up. Of course once I got started, I loved it. No, they didn’t teach Rock and Roll, but it gave me a great foundation and a better understanding of music. In one of my choral classes I was sitting next to another kid out of high school just trying to learn about music. It was Johnny Colla, who went on to play sax with Huey Lewis and the News. You never know who you’ll end up sitting next to in school.”


In addition to his BOSTON ventures, he still finds time to let his creative energy fly. He says, “I’ve enjoyed working with some friends on a “project band” called Alliance. It’s Dave Lauser from Sammy Hagar’s band, Alan Fitzgerald from Night Ranger, and Robert Berry from 3. It’s a mix of all our favorite styles from Blues to Prog rock.” Alliance has released three albums to date.

“Robert Berry and I are also in a band called December People. We do traditional holiday songs but in the style of different rock bands. We do Joy to the World as if the Who were playing it, Santa Claus is Coming to Town like ZZ Top might play it. You get the
idea. It’s a lot of fun and every show we do is a benefit for a local charity, usually a food bank.” A long-time vegetarian, like the late Brad and Tom Scholz, Gary resides in a suburb of Boston with his wife and two sons.

Gary does it all: guitars, work in the recording studio, live shows on the road and the architect of the band BOSTON website. He'll provide backup vocals on the 2015 tour. He has been a member of BOSTON since 1985 and is the longest recurring member of Tom Scholz' recording and touring band.



BOSTON news, tour itinerary, background and to interact with the band - please visit www.bandboston.com and www.facebook.com/bandboston

Sunday, July 10, 2016

Stage, screen and television actress Joan Benedict Steiger joined me today at 9:30am pst to talk about her incredible career and latest book!

Did you miss Joan on today's show?
Listen to our conversation here!


JOAN BENEDICT STEIGER
Decades of work on stage, screen, and television and the love of three devoted men sounds like a full life; but in many ways, the story is just beginning for veteran performer Joan Benedict Steiger. With credits dating back to the original “Candid Camera” on television to her acclaimed solo performance as Leona Helmsley, she has lived the artistic life she first dreamed of as a child in Brooklyn, New York – and the dream shows no signs of ending.

“I always thought when I was little I would be a dancer,” Steiger recalls today. “I was never really built for ballet, but I was tap dancing in public at age seven when I performed at the Brooklyn Academy of Music. I remember the first film I ever saw was with Fred Astaire and Ginger Rogers, and as I was leaving the theatre, I wanted to run back in, I knew I had to be a part of that world.”

As the only grandchild in a large family – she had seven uncles – Steiger grew up in her grandfather’s house off Prospect Park, where she describes herself as “Eloise at the Plaza – every one of those rooms was my magic room.” Encouraged by her mother, young Steiger studied at the Rome Opera Ballet School, and spent time in Paris, soaking up her craft and European culture and learning French and Italian. Back in America, Steiger continued her theatrical education by studying with legendary acting coaches Robert Lewis and Stella Adler, founders of the Actor’s Studio in New York. That pursuit of her craft continues today, as she continues to get a charge out of the challenge that each new acting job brings.

“The theatre for me is ike being in church,” she says with sincerity. “When you feel the audience, and feel that communication with other souls, it’s like music. As a performer, I’m always pursuing that wonderful experience where you are completely alert and clear, and yet transported through your imagination.” “The theatre for me is like being in church,” she says with sincerity. “When you feel the audience, and feel that communication with other souls, it’s like music. As a performer, I’m always pursuing that wonderful experience where you are completely alert and clear, and yet transported through your imagination.”

Her list of stage credits include acclaimed productions of contemporary offerings such as “Promises, Promises,” “The Beauty Queen of Leenane,” “Collected Stories” by Donald Margulies, P.J. Barry’s “The Octette Bridge Club,” Horton Foote’s “The Traveling Lady,” and Morris West’s “The World is Made of Glass;” opposite Don Knotts in the comedy “The Mind with the Dirty Man;” classics like “Richard III,” “The Dyubbuk,” and “Dr. Faustus;” and her two solo shows, “Leona” (about notorious “Queen of Mean” Leona Helmsley) and the recent “The Loves of My Life,” based on her own life. On screen, she also co-starred with Knotts and Tim Conway in the comedy “The Prizefighter.”

Indeed, perhaps Joan Benedict Steiger’s career is all the more remarkable for having endured through three long-term relationships, to what she describes as “three of the greatest guys in the world.” While marriages between professional actors are often fraught with jealousy and competition, Joan has found lightning in a bottle all three times. “Both of my husbands, and my lifetime partner Jeremy, were wonderful men who respected me as an actress,” she recalls. “They all died from different forms of cancer, so my memories are sometimes bittersweet, but with no regrets.”

“Strangely, I met all three of these men when I was in New York, just beginning my career while I was still a teenager,” she says. She was only 19 when she met actor Rod Steiger, who took an instant liking to her when they appeared on the same television show together. “I

was in complete awe of him at the time,” she admits. “I remember walking out after seeing him in the play ‘Rashomon’ on Broadway, and seeing his face on the marquee across the street for the movie ‘Al Capone.’ I thought, what a life – starring on Broadway and starring in a movie! Knowing him at that age was like living in a fantasy.”

Though the initial romance with Rod was short-lived, given their respective dedication to pursuing their careers, Joan soon found herself in love with leading stage actor John Myhers. “He toured in ‘The Sound of Music’ for three years as Captain von Trapp, and I would take time off to travel with him,” she says. Settling in a home near Sunset Plaza in the Hollywood Hills, their marriage lasted thirty years before Myhers’ passing. Then, in the late 1990s, Rod and Joan found each other again. Rod had heard rave reviews of some of Joan’s stage work. “I got a call from him out of the blue…he’d been at a party where someone had mentioned me, and we got together again after all those years.”

Joan and Rod were nearly inseparable for the final years of his life, becoming creative partners as well as spouses. “Rod was very impressed with my acting. Whenever a script would arrive at the house, he’d ask me to read it for my feedback, then he’d say ‘Did you pick out your part yet?’” They appeared in two films together, “A Month of Sundays” and the telefilm “The Flying Dutchman.” After a long life marked by tremendous highs and crushing lows – Steiger acknowledged suffering from chronic depression for much of his professional career – the Academy Award winning actor seemed to find new confidence and peace with his newly rediscovered love. “On one of the films we made, on the last day of shooting, Rod presented me with an Oscar-like statue he had made with my name on it, in front of the entire crew,” Joan remembers. “With me he said he was another person, and the only time in his life he had such happiness. He told me I was the only woman who could bring love out of a stone.”

Steiger’s passing in 2002 was a devastating loss, but another friend from long ago was able to fill some of the void. Actor Jeremy Slate, a veteran of over 80 films and television shows dating back to 1959, was Joan’s partner until his passing in 2006. “They were all actors, writers, directors, brilliant, funny men,” Joan says of the men who captured her heart.

Throughout her life, Joan Benedict Steiger has worked simultaneously on stage, in film, and on television. She’s still remembered for a classic bit from the original version of “Candid Camera,” where she played a lost tourist looking for directions from passersby, making sure that her fancy hat – beplumed with a particularly large feather – would distract them at every opportunity. She was also part of the ensemble of the original “Steve Allen Show,” where she did double duty as the spokesperson for Hazel Bishop cosmetics. On daytime drama, she had regular and recurring roles on “General Hospital,” “Days of our Lives,” and “Capitol.” Her dozens of series guest appearances include classic series like “Fantasy Island,” “T.J. Hooker,” “The Incredible Hulk,” “Kojak” and “Hotel,” with the latter being directed by series star James Brolin. Most recently Joan guested on Fox’s “Dollhouse.”

Perhaps one of Joan’s most unusual jobs is one where she was asked to “fill in” – in a manner of speaking – for a Hollywood legend. “I had been bothering the casting director at MGM for a while when he finally told me, ‘I have something for you.’” MGM was preparing to make the film “Butterfield 8” starring Elizabeth Taylor; the star had been reluctant to cooperate because she was eager to begin work on the epic “Cleopatra.” MGM wanted to shoot the film in studios in New York and Taylor wanted to remain in Los Angeles. Joan was asked if she could

go to New York to rehearse the film – playing Taylor’s part – with director Daniel Mann and therest of the cast. Joan worked for weeks reading Taylor’s lines, and her dedication paid off when she was awarded a small part (a single line) in the film – for which she still earns residuals.

The role won Taylor her only Academy Award, but curiously, their paths would cross again years later through their mutual acquaintance with Rod Steiger. “When Rod and I were first dating, he went to see Elizabeth about working on a new project,” she says. “This was a period when she wasn’t feeling well, and Rod was one of the people who really encouraged her to get well and return to public life. That lead to speculation that Rod and Liz were dating and he was going to be her next husband. Rod and I were on an airplane to Spain, and he liked to read the tabloids: when I saw the headline saying Liz and Rod were going to wed, I said, ‘What’s this all about?’ And he smiled at me and said, “Joan, I’m sitting next to YOU!”

For now, Joan keeps busy preserving the legacy of her late husband, as well as continuing her stage, film, and television work whenever the right opportunity presents itself. ‘There’s still so much I can do, I’m still learning after all these years,” she explains. “I have a regular table at my favorite restaurant in Malibu and it faces the door, because I want to watch everyone walk in, I want to observe the way they use their body, because that’s so much a part of my process as an actress.” Although she has written her memoirs, Joan still knows that there are more chapters of her life left to live, and many more roles left to play.


www.joanbenedictsteiger.com

Kevin Richards, founder of KNR Consulting Group, joined me today to talk about how to teach your kids about money, what college students should know, and why more Americans are not retiring at 65!


If you missed Kevin on today's show, listen to our conversation here!

Kevin Richards is an Investment Advisor. Why does that matter? In the financial services industry, there are generally two kinds of people offering advice: Registered Representatives and Investment Advisors. Many investors aren’t aware differences exist. One of the main differences is that Investment Advisors have a fiduciary duty to act in the best interest of their clients at all times.
 
 



As an investment advisor representative, Kevin Richards is obligated to do the following: 
  • Put your interest first 
  • Understand your specific financial situation 
  • Offer straightforward advice that reflects your long-term goals 
  • Recommend investment solutions that best fit your unique needs 
  • Use a fee-based structure and be compensated by the customers he represents 


According to a recent Bloomberg article on people working past 65, here are a few questions Kevin will address:
 
· Why more people are working past 65
 
· What steps people can take to retire on time
 
· Why some people may actually want to work past 65
 

 
Kevin RichardsKNR Consulting and Wealth Management, Inc.
KRWM Insurance Services
Registered Financial Consultant (RFC)
Kevin@knrconsultinggroup.com
As a Registered Financial Consultant Kevin specializes in helping clients protect their principal, grow their assets ahead of inflation and protect their loved ones by understanding all the insurance options that are available.

Sunday, June 26, 2016

Susan Senator joins me Monday at 9am pst to talk about her book, "Autism Adulthood - Strategies and Insights for a Fulfilling Life."

Autism Adulthood
Strategies and Insights for a Fulfilling Life

By Susan Senator, Foreword by John Elder Robison


If you missed Susan on today's show, listen here!


“In this book, like her others, the wonderful Susan Senator gives voice to those who are too often voiceless—folks with ASD who seek what they deserve—lives of purpose and possibilities.” —Ron Suskind, Pulitzer Prize–winning journalist and bestselling author of Life Animated: A Story of Sidekicks, Heroes, and Autism.

"In her frank and deeply touching new book Autism Adulthood, Susan Senator shares the intimate details of her journey with her son, Nat, as he takes his first steps toward maturity in a society that offers few resources for people on the spectrum after they "age out" of the meager level of services provided to school-age children. She faces the big issues – housing, employment, relationships with siblings, finding trustworthy caregivers – head-on, and offers practical strategies for giving young autistic people the best chance to lead happy, safe, and secure lives, mapping a pathway to the future that offers autistic people and their families real hope, rather than false hopes built on misguided promises of a cure. By doing so she offers a blueprint for a world in which people at every point on the spectrum are treated as fellow citizens who deserve respect and the ability to make choices, rather than as puzzles to be solved by the next medical breakthrough.” —Steve Silberman, author of NeuroTribes: The Legacy of Autism and the Future of Neurodiversity

“Senator hits the nail on the head once again…This is a must-read.” —Library Journal

“As an emotional resource, Senator’s book is excellent.” —Kirkus

“Mothers, fathers, and siblings should read this honest account of family life with autism.” —Temple Grandin, PhD, author of Thinking in Pictures and Emergence: Labeled Autistic for Making Peace with Autism

“From the introduction, Autism Adulthood: Strategies and Insights for a Fulfilling Life will bring you to that dark place parents of young adults with autism fear. But just as quickly, Susan offers practical advice through story-telling and concise, how-to strategies that will leave you feeling optimistic, hopeful, and back in control—all any of us can ask for. A thoroughly readable and important book.” —Arthur Fleischmann, author of Carly's Voice: Breaking Through Autism

“A brilliant book.” —Tim Shriver, CEO of the Special Olympics, for The Autism Mom’s Survival Guide

“Autism Adulthood is a book I will be recommending to every autism parent I know. Senator is as warm as she is wise, as thoughtful as she is knowledgeable, as compassionate as she is informative. Her rallying cry of “All we can do is love each other” will resound in any parent’s heart. Senator loves fiercely—which means she does everything she can to ensure the best life and future for her adult child with autism. This book will inspire the rest of us to do the same for ours.” —Claire LaZebnik, coauthor of Overcoming Autism, with Dr. Lynn Kern Koegel

Autism. It’s a scary word, and one that parents are hearing more and more. Beyond the trauma of the initial diagnosis, the difficulties with finding the right schools and educational programs, and the toll it takes on the whole family looms something far more uncertain and terrifying:

What will happen when my child grows up?

In her new book Autism Adulthood: Strategies and Insights for a Fulfilling Life (Skyhorse Publishing, April 2016), Susan Senator takes the mystery out of adult life on the autism spectrum and conveys the positive message that even though autism adulthood is complicated and challenging, there are many ways to make it manageable and enjoyable. From her own son with autism, now in his twenties, she has learned to “never say never.”

Autism Adulthood features thirty interviews with autistic adults, their parents, caregivers, researchers, and professionals. Each vignette reveals firsthand a family’s challenge, their circumstances, their thought processes, and their unique solutions and plans of action. Sharing the wisdom that emerges from parents’ and self-advocates’ experiences, Senator adds her own observations and conclusions based on her long-term experience with autism. Told in Senator’s trademark warm, honest, and approachable style, Autism Adulthood paints a vivid and thought-provoking picture of many people grappling with grown-up, real-life autism. Senator’s is the only book of its kind, as real families share their stories and their creative solutions.

About the Author
Susan Senator is a writer, an activist, and the mother of three boys. Her books include Making Peace with Autism and The Autism Mom’s Survival Guide. Her son Nat, now in his twenties was diagnosed with autism at the age of three, and she has been advocating for people with autism ever since. She lives in Brookline, Massachusetts.