Wednesday, October 21, 2026

Coming up this week on KUCI 88.9fm at 9:30am - Belindalee Hope, producer, Be Hope Films and Royd Tolkien, director, producer and great-grandson of J.R.R. Tolkien join Janeane to talk about THERE’S A HOLE IN MY BUCKET - J.R.R. Tolkien’s great-grandson takes on the secret bucket list his late brother left him. Narrated by Benedict Cumberbatch.





photo courtesy of K.O. PR

World Premiere, Doc Edge Festival 2026, Academy Award qualifying
International Premiere, Newport Beach Film Festival 2026

LISTEN  to today's show
featuring 
Belindalee Hope, Producer, Be Hope Films  


Mike is the one who jumps out of planes. His older brother Royd is the one who keeps both feet on the ground.

When ALS, known outside the United States as Motor Neurone Disease, takes Mike in 2015, he leaves behind one last act of love and mischief: a sealed list of fifty challenges for Royd to complete on his behalf, built to drag his comfort-zone-hugging brother into the land of the living.

Task number one is for Royd to trip on his way to deliver Mike’s eulogy.

What follows is Royd’s unexpected journey across New Zealand that pushes a grieving brother further than he ever imagined possible as he fulfills the fifty tasks.

Narrated by Benedict Cumberbatch, with Peter Jackson, Billy Boyd, John Rhys-Davies, Sir Richard Taylor, and others from Middle-earth along for the ride.

D I R E C T E D B Y
Royd Tolkien, Drew Cullingham, Robert Cavanah

P R O D U C E D B Y
Belindalee Hope, Royd Tolkien, James Fisher


photo courtesy of K.O. PR


THERE’S A HOLE IN MY BUCKET

J.R.R. Tolkien’s great-grandson takes on the secret bucket list his late brother left him. Narrated by Benedict Cumberbatch.

ABOUT
When Royd Tolkien, great-grandson of J.R.R. Tolkien, loses his brother Mike to Motor Neurone Disease (ALS), Mike leaves behind one final act of love and mischief: a secret bucket list of 50 challenges designed to drag his reluctant, comfort-zone-hugging brother into the land of the living. 

What follows is an unexpected journey across New Zealand that pushes a grieving man further than he ever imagined possible. Narrated by Benedict Cumberbatch, with Peter Jackson, Billy Boyd, John Rhys-Davies and Weta Workshop along for the ride, the film is a raucous, tender argument that the best eulogy isn’t a speech, it’s a bucket list.


photo courtesy of K.O. PR



INTERNATIONAL PREMIERE

The first-ever New Zealand Spotlight

Newport Beach Film Festival

Wednesday, October 21 | 7:30 p.m.

Triangle 5, Costa Mesa, California


In contention for jury, audience and festival awards

Los Angeles and Orange County, October 19 to 22

Royd Tolkien, director, producer and great-grandson of J.R.R. Tolkien

Jed Brophy, actor, The Lord of the Rings, The Hobbit, The Rings of Power


Belindalee Hope, producer, Be Hope Films

“It breaks your heart and has you laughing out loud in the same breath.”

Sold-out world premiere at Doc Edge 2026, followed by sold-out screenings in Auckland and Wellington. Cover stories in the NZ Herald and Canvas Magazine.



CHARITY AUCTION A copy of The Letters of J.R.R. Tolkien, signed by Sir Ian McKellen, Andy Serkis and others from the world of Middle-earth, goes to auction alongside the festival screening. All proceeds benefit ALS Network, in partnership with ALS United Orange County.

Be Hope Films and Royd Tolkien Productions present. Directed by Royd Tolkien, Drew Cullingham and Robert Cavanah. Produced by Belindalee Hope, Royd Tolkien and James Fisher. 89 minutes.

Worldwide rights available; Australia and New Zealand licensed to Screen Inc.

Coming up October 21st at 9:00am - Ethan Groves, a recent UC Irvine graduate and the creator of DazzAfterDark. Ethan is a Digital creator Rediscovering 5000+ of his grandfather's travel slides from the 1960s-1990s

LISTEN  to today's show with Ethan Groves on KUCI 88.9fm!

Ethan
Groves is a recent UC Irvine graduate and the creator of DazzAfterDark, a social media page dedicated to preserving and sharing his late grandfather's photography. His grandfather, Eugene Knupke, was a travel agent and avid photographer who documented his journeys around the world beginning in the 1960s.


After inheriting thousands of his grandfather's 35mm color slides, Ethan began rediscovering these places and moments decades later, sharing them with a new generation through social media. What started as a personal project to preserve family memories has grown into an online community of people connecting through photography, history, travel, and nostalgia.


Through the Knupke Archive, Ethan hopes to keep his grandfather's love of travel and photography alive while encouraging others to appreciate the stories and memories captured in old photographs.

The following photos are courtesy of: Ethan Groves.

Grandfather Eugene Knupke



Ethan and Family!

 
Japan - photo by Eugene Knupke     
  

VOE - photo by Eugene Knupke  


       Malay - photo by Eugene Knupke


Turkey - photo by Eugene Knupke


Instagram: @dazzafterdark
Website: Knupkearchive.com
📩 dazzafterdark@gmail.com


Sunday, October 18, 2026

Mental Health Awareness Is Not Enough: What Happens the Rest of the Year?


It was the first week of October, and it was Mental Health Awareness Week. And before we knew it, World Mental Health Day had arrived.

Across workplaces, organizations were sharing resources, sending emails, creating social media posts, and reminding employees that mental health matters.

And we know it does.

There seems to be less stigma and more open dialogue around mental health and well-being than there was in the past. That is meaningful progress.

But here’s the question I kept coming back to:

What happens during the other 51 weeks of the year? 

We’ve gotten much better at talking about mental health. But awareness isn’t the same thing as change. 

Isn’t it time to move beyond annual awareness campaigns and create a more human-centered approach to workplace mental health—reflected in policies, workloads, leadership and workplace culture year-round? 


These were some of the questions that stayed with me after participating in the National Press Foundation’s Covering Workplace Mental Health Fellowship this year in Washington, D.C. 

During the fellowship, I heard from researchers, employers, health care leaders, advocates, and nonprofit leaders about what happens when mental health becomes part of the workplace conversation—and what happens when that conversation ends or never begins.  

One message came through repeatedly:  

If your employer asks, 

“How are you? Really.”   

Would you feel safe enough to answer honestly? 

It’s one thing to say that employee mental health matters. It’s another way to create a workplace where people feel psychologically safe enough to speak openly. 

An organization can offer mental health benefits, an employee assistance program, mindfulness resources, or occasional self-care workshops. But these resources don’t necessarily change workplace culture—or whether employees feel safe speaking up without fear of professional consequences. Some may suffer in silence, struggle through the workday, or quietly update their résumés. 

Across industries—from construction and education to big tech, health care, nonprofits and small businesses—employees bring their entire lives to work. 

Some care for aging parents while raising children who are struggling in silence. Others cope with illness, anxiety, grief, financial stress or competing responsibilities that leave little time for their own well-being. 

We don’t leave our lives at the door when we arrive at work, and we don’t always leave work behind when the day ends. Yet employees may still feel pressure to put on a brave face and carry on as though everything is fine. 


That is where awareness alone falls short. 

Think about a splinter lodged deep in your skin. You might initially ignore it, but over time, it begins to ache. What seems insignificant can become a bigger problem if left unaddressed. 

Workplace mental health can be much the same. Ignoring chronic stress, excessive workloads, or unhealthy workplace cultures doesn't make them disappear. Left unaddressed, these problems can take a growing toll on employees. 

Awareness is a starting point. But recognizing a problem is not the same as addressing it. 

If we want healthier workplaces, we need to move beyond asking employees to manage their mental health and ask a different question: 

What can workplaces do differently to support human beings? 

That is the shift from mental health awareness to a truly human-centered workplace.  
 

Turning the Tables: Advice for the Next Generation 

I’ve been asking college students about their plans after graduation. Some are anxious about landing their first jobs in a world of AI and uncertainty, yet eager to prove themselves. 

In a recent conversation, I reminded a student that a job interview is a two-way conversation. While a potential employer is evaluating you, you should also be evaluating them. 

The question isn’t simply whether an organization offers mental health benefits or programs. It’s whether its culture creates conditions in which people can thrive. 

My advice is simple, and something I wish I’d learned years ago: Turn the tables. Ask how an organization supports employee mental health and well-being—not just during an awareness campaign, but throughout the year. 

Are workloads manageable? Do employees have flexibility and autonomy? Can they speak openly about challenges without fear of repercussions? How does leadership help prevent burnout? 

The answers can tell you a great deal about the workplace you’re considering joining. 

Your first job should be an opportunity to grow professionally—not one that compromises your well-being through unrealistic expectations, excessively long days, or overwhelming workloads. 

Years ago, while interviewing for a job at an edutainment software company, I was being escorted to my interview by an employee who was visibly ill. She looked at me and said, “This job will chew you up and spit you out.” 

I had never been so disinterested in a job interview. Her words said more about the company’s culture than any interviewer could have.  


Mental Health in the Workplace: Who Takes Ownership? 

For years, workplace mental health has often placed the responsibility on the individual: 

Practice self-care. Meditate. Eat healthy. Get enough sleep. Download our app.
Take a  mental health day. Build resilience. Have hobbies. 

These tools can help you. But what happens when the workplace itself is fueling the stress—and who has the time or energy for self-care? 

The question that needs to be asked is: What needs to change? 

That is the shift from self-care to organizational responsibility. 

The infrastructure of work matters. Leadership behaviors, workloads, communication, and workplace values shape employees’ autonomy, flexibility, connection, and sense of belonging. Workplace culture can support mental health—or compound the challenges people face outside work.  

In 2022, Dr. Vivek Murthy, then U.S. Surgeon General, introduced the U.S. Surgeon General’s Framework for Workplace Mental Health & Well-Being, outlining how organizations can create conditions that better support employee well-being. 

The framework encouraged organizations to look beyond traditional wellness programs and consider how workplace conditions themselves can help people thrive. 

Of course, organizations cannot solve every mental health challenge or make everyone happy. But they can examine whether the conditions they create allow employees to thrive without sacrificing their well-being. 


What Would a Human-Centered Workplace Look Like? 

The answer isn't another mental health campaign or email blast. It’s workplace structures, policies and everyday practices that demonstrate—through leadership and culture—that people matter. 

Are workloads sustainable? Are expectations realistic? Do employees have flexibility, support, and psychological safety to navigate their lives and ask for help? Does leadership walk the talk? 

A workplace can offer mental health benefits and still have employees who are afraid to use them. It can send an email saying “It’s okay not to be okay” while employees believe they must appear okay to keep their jobs. 

People need to know if they can speak honestly, ask for help, and raise concerns without fearing judgment or consequences. Trust and connection must be part of the culture, not just words in an employee's handbook. 

A human-centered workplace begins by recognizing one simple truth: 

Employees are human beings before they are workers. 

People are caregivers, parents, partners and friends, navigating competing responsibilities and the everyday demands of life. They experience illness, grief, financial pressure, and family challenges. They don’t leave those realities at the door when they come to work. 

Leaders don’t need to have all the answers, but they do need to create a culture were asking for help is welcomed, not judged. Leaders have complex lives, too. 

And silence should never be mistaken for strength or resilience. Sometimes, it simply means someone doesn’t feel safe enough to speak up. 

Workplaces that support the whole person—including mental, physical, emotional and social health—create conditions in which people are better positioned to contribute, collaborate, connect, and do their best work. 

From Awareness to Action 

Mental health may be personal, but the conditions that influence it are also organizational. 

Instead of simply teaching employees to manage stress, organizations can examine what is creating it. Instead of urging people to prioritize their well-being, they can ensure the way work is structured makes that possible. 

Moving beyond awareness means making mental health part of everyday work—not something discussed just one week a year. 

What Happens During the Other 51 Weeks? 

We have made progress. We are talking about mental health more openly, acknowledging that it matters and creating resources that didn’t exist—or weren’t discussed openly—in the past. 

But the conversation cannot end when the campaign does. 

The real measure of a workplace’s commitment to mental health may not be what it says during Mental Health Awareness Week, but what employees experience during the other 51 weeks. 

Do they feel seen? Do they feel safe? Do they feel supported? Do they feel connected? Can they ask for help? 

Can they be human? 

And perhaps most importantly: 

Are we creating workplaces designed for human beings—not simply workers? 

The good news is that some organizations are already rethinking what a healthier, more human workplace can look like. 

But what does that look like in practice? 

Tuesday, October 13, 2026

Coming up Sunday October 25th - Rising Young Stars — An Afternoon of Music and Inspiration celebrates International Artist Day


The American Foundation for Music (AFFM), a nonprofit organization supporting classical music and young musicians, would appreciate your help sharing our upcoming Rising Young Stars Concert.

Rising Young Stars — An Afternoon of Music and Inspiration celebrates International Artist Day with talented young soloists performing alongside the American Philharmonic Orchestra chamber ensemble. The program features music by Vivaldi, Bach, Rieding, and Wieniawski. Our Music and Artistic Director, violinist Attilla Sautov, will perform selected movements from Spring and Winter from Vivaldi’s The Four Seasons.

Sunday, October 25, 2026
3:00–4:00 p.m.
Encinitas Library
540 Cornish Drive, Encinitas, CA 92024
Student tickets: $10
Tickets and information: https://www.affmusic.org or the poster’s QR code.
Public information phone: (858) 717-3477

info@affmusic.org
https://www.affmusic.org

THE GOOD LIFE A life-affirming, funny, and moving documentary following five people – ages 25 to 91 – who are reckoning with what it means to grow older, and perhaps, to grow up. Director Mark Mannucci joins Janeane on Wednesday 10-14-26.

 


THE GOOD LIFE

A life-affirming, funny, and moving documentary following five people – ages 25 to 91 – who are reckoning with what it means to grow older, and perhaps, to grow up

2026 Newport Beach Film Festival Screenings:
Sat, Oct 17th, 2:00 PM @ Regal UTC, Screen 4
*Featuring a post-screening panel with Director Mark Mannucci, Producer Mona Iskander, Executive Producer Lata Reddy, and Film Subject D’yan Forest*
Tue, Oct 20th, 11:30 AM @ Regal UTC, Screen 6


Directed by: Mark Manucci
Produced by: Mark Manucci, Mona Iskander
Executive Produced by: John Schreiber, Michael Kantor, Lata Reddy
Featuring: Rita Moreno, Susie Essman, Bernie Williams, Neil de Grasse Tyson, Sally Quinn

The Good Life is a life-affirming, funny, and moving documentary based on the best-selling book by Drs. Robert Waldinger and Marc Schulz, directors of the Harvard Study of Adult Development, colloquially known as the “Harvard Happiness Study.” The film follows five characters, ages 25 to 91, who are reckoning with what it means to grow older, and perhaps, to grow up. Featuring interviews with Susie Essman, Rita Moreno, Bernie Williams, and Neil deGrasse Tyson, the film speaks to all ages and stages of life, exploring our limits, the things we thought we’d never have, and how our relationships may be among our most powerful sources for longevity.

The Good Life was made possible by Prudential Financial.

Run Time: 103 Minutes

Publicity Contacts
Falco Ink. | 212-445-7100

Saturday, October 10, 2026

💚 Today is World Mental Health Day. But mental health matters every day.

 



Our mental health shouldn’t be something we think about only on awareness
days, during a difficult moment, or when we reach a breaking point.

It deserves our attention every single day.

It’s in how we treat ourselves and others. The boundaries we set. The connections we nurture. The way we show up for one another. And the environments we create at home, at school, and in the workplace.

We can’t always control what life throws our way, but we can work toward creating a world where people feel supported, understood, connected, and valued.

Let’s move beyond awareness and make mental health a daily priority—not just for ourselves, but for one another.

Because mental health is health. And every day is an opportunity to care. 💚

#WorldMentalHealthDay #MentalHealthMatters #SocialConnection #Belonging #MentalWellbeing #OutsideTheBoxInstitute

Wednesday, October 7, 2026

Coming up October 7th at 9:30am - Julie Engelmann, muralist and fine artist based in Half Moon Bay, who caught Janeane's eye with her San Clemente mural featuring women in surfing: Erin Brooks, Sierra Kerr, Molly Picklum, Caity Simmers, Sky Brown, and Caroline Marks


Photo courtesy of Julie Engelmann

Julie Engelmann is a muralist and fine artist based in Half Moon Bay bringing meaningful stories to life through highly detailed, realistic and surrealistic imagery.

Working in media ranging from acrylics on canvas to spray paint on walls, she collaborates with cities and communities throughout California to create public art that honors history, sparks imagination, and transforms spaces.


Photo courtesy of Julie Engelmann

Photo courtesy of Julie Engelmann

Julie shares details about the San Clemente mural featuring Erin Brooks, Sierra Kerr, Molly Picklum, Caity Simmers, Sky Brown, and Caroline Marks: 

This mural celebrates the incredible talent and achievements of this generation of women in surfing. They are pushing the sport forward and making history.

It was a pleasure working with Jodie Nelson and the producer of NOW DAYS, a film highlighting this remarkable group of women and their impact on the sport. It was especially exciting to see Erin Brooks win her third consecutive CT event at Trestles, adding another milestone to an already historic moment for women’s surfing.

It was also incredibly meaningful to have some of the athletes featured in the mural sign their portraits. Capturing and celebrating these athletes at such an important point in their careers was an honor.

The mural was also featured in an article here if you want more information: 













Joining Janeane on this week's show October 7th 9:00am - Emily Escobar Public Affairs Advocacy Manager, Planned Parenthood. Emily brings an advocacy perspective to the conversation, discussing the work of Planned Parenthood and the importance of access to reproductive health care and advocacy.

Emily Escobar

Public Affairs Advocacy Manager, Planned Parenthood

LISTEN to today's show

Emily serves as the Public Affairs Advocacy Manager at Planned Parenthood of Orange and San Bernardino Counties (PPOSBC), where she manages the day-to-day operations of the Community Action Fund’s advocacy initiatives. As a Guatemalan immigrant woman, Emily brings a strong commitment to advancing access to reproductive health care for communities with the greatest need. She began her career as a campus organizer with the Feminist Majority Foundation, mobilizing college students across multiple states in support of abortion rights. Her experience includes leading successful get-out-the-vote and pro-reproductive-rights campaigns, providing on-the-ground support to abortion clinics, and strengthening feminist organizing efforts on college campuses. Most recently, Emily supported advocacy and education initiatives with the United State of Women, where she led the development of digital issue-based campaigns.


Emily holds a Bachelor of Arts in Women’s, Gender, and Sexuality Studies from California State University, Long Beach, and a master’s degree in Applied Gender Studies from Claremont Graduate

Learn more:
Planned Parenthood


 University.


Wednesday, September 30, 2026

Coming up on Get the Funk Out September 30th at 9:30am pst: Madeline Halperin Robinson, the Director of Digital Communications at the Center for Reproductive Rights, returns to KUCI 88.9fm


I’m excited to welcome Madeline Halperin Robinson of the Center for Reproductive Rights back to Get the Funk Out. Madeline joined me during the Daisy Chain Festival, but our conversation was brief, so I’m thrilled to have her back for a deeper conversation.

We’ll talk about what it was like for Madeline and her team to be part of Daisy Chain, the response they received from people who came out to meet them, the conversations that stayed with her, and the impact of bringing people together around community, advocacy, and change.

We’ll also learn more about the Center for Reproductive Rights, an organization that uses law and advocacy to advance reproductive rights around the world. The Center has been involved in major reproductive rights cases in courts around the world, including every major U.S. Supreme Court abortion case.

Tune in as we continue our conversation about connection, community, advocacy, and the people doing meaningful work to create change.

 

LISTEN to today's show featuring Madeline Halperin Robinson of the Center for Reproductive Rights,  an organization that uses law and advocacy to advance 
reproductive rights around the world.


The Center has been involved in major reproductive-rights cases in courts around the world, including every major U.S. Supreme Court abortion case.

Learn more:
Center for Reproductive Rights


The Center for Reproductive Rights is a legal advocacy organization that uses the power of law around the globe to protect reproductive health, self-determination, and dignity as basic human rights. The Center has worked since 1992 to transform how reproductive rights are understood by courts, governments, and human rights bodies. This organization fights in the courts and in legislatures to ensure that patients have access to life-saving and essential maternal health care, from contraception to abortion. The Center has also fought to put an end to other harmful policies and practices seen across the globe, including forced sterilization and child marriage.


Since Roe v. Wade was overturned in the U.S., the Center has taken 11 states to court for passing abortion bans and have challenged additional abortion restrictions in states where abortion is legal. Abortion is an essential part of health care and we know families suffer physically, emotionally, and financially when they can't access it. It's why most Americans support abortion access. They understand just how important it is that every patient has the right to make medical decisions about their bodies.

Coming up September 30th at 9:15am - The Power of Second Chances: Linda Freund on Storytelling, Resilience, and The Window on Death Row


What if a death sentence gave you a second chance at life? The story of Joaquín José Martínez, the first Spaniard exonerated from U.S. death row, challenges our beliefs about justice, faith, and forgiveness.


Synopsis:

“I would have been dead today if I hadn’t gone to death row.”

Joaquín José Martínez, the first Spaniard ever exonerated from U.S. death row, was once a supporter of capital punishment until, at 24, he was convicted of a double murder in Florida. He spent more than five years behind bars, three on death row. Two decades after he was exonerated, Joaquín transforms his trauma into advocacy.

The Window on Death Row explores urgent questions: What happens when we almost execute an innocent man? Is closure possible for the victims’ families? And how do we reconcile the contradiction that facing a death sentence, even an unjust one, can paradoxically lead to a second chance at life?

Director: Linda Catherine Freund
Executive Producer: Mike Farrell (Actor & Activist)
Watch the Trailer


Joining us at 9:15am is award-winning documentary filmmaker and journalist Linda Freund, director of The Window on Death Row, a powerful, documentary that explores wrongful conviction, faith, forgiveness, and the extraordinary capacity of the human spirit to find meaning after unimaginable trauma.

The film tells the story of Joaquín José Martínez, the first Spaniard ever exonerated from U.S. death row. Convicted of a double murder in Florida at the age of 24, Martínez spent more than five years behind bars, including three years on death row, before being acquitted in 2001. More than two decades later, he reflects on his experience and transforms his personal trauma into public advocacy.

Rather than following a traditional true-crime narrative, Freund takes a deeply human approach, examining the psychological and spiritual aftermath of incarceration and raising profound questions about justice, redemption, forgiveness, and the possibility of beginning again.

Freund's impressive career spans documentary filmmaking and international journalism. She most recently served as a senior video journalist at The Wall Street Journal and was a journalism fellow at the USC Center for Religion and Civic Culture and Brandeis University's Chaplaincy Innovation Lab. Earlier in her career, she reported from conflict zones across South Asia and East Africa.

Her previous documentary, The Migrant Priest (2022), was filmed in Italy and explores the experiences of a priest working with migrants.

For The Window on Death Row (2025), Freund served as director, writer, producer, and editor. The film also features actor and activist Mike Farrell (MASH*) as executive producer.

The documentary has received recognition at several international festivals, including the Grand Prize Audience Choice Award for Best Short Documentary at the 2025 Rhode Island International Film Festival, the Immaculate Heart Community Filmmaker Award at LA Shorts International Film Festival, and Best Documentary at the 2025 LA Femme International Film Festival.

Join us for a conversation with Linda about the power of storytelling, the complexities of the human experience, and how we find hope, purpose, and humanity even in the darkest of circumstances.

Details on the event in LA: 
 
More information on the San Quentin Film Festival via Instagram: 


PRESS RELEASE
Renowned actor, producer and human rights advocate Mike Farrell, best known for his role as Captain B.J. Hunnicutt on “M*A*S*H*,” has joined the Oscar-qualifying documentary “The Window on Death Row” as executive producer. A leading voice against capital punishment, Farrell has championed human rights for more than three decades. He has been president of the non-profit advocacy organization Death Penalty Focus since 1994.

Written, directed and produced by Linda Freund, “The Window on Death Row" is campaigning for best documentary short at the Academy Awards. The film tells the story of Joaquín José Martínez, the first Spaniard exonerated from the U.S. death row who was once a supporter of capital punishment until, at age 24, he was convicted of a double murder in Florida. He spent more than five years behind bars, three on death row. The case pitted U.S. policy against that of the European Union, which bans the death penalty. Nearly 20 years after his exoneration, Martínez transforms his personal trauma into public advocacy. His Catholic faith and relationship he built with his death row chaplain Dale Recinella are central to his healing. Yet even in freedom, redemption proves complex. “I would have been dead today if I hadn’t gone to death row, the way that I was living,” Martínez says.

Farrell calls the film “unusual, touching and very inspiring,” praising its powerful, life affirming approach. “The possibility of someone rising out of the depths of despair to become not only a thoughtful but a caring, gentle and humane human being is one of the beauties of this film,” he says. "This film is really a prayer—one those who watch it will profit from.” 

According to Freund, “The Window on Death Row” resists the true crime formula that saturates streaming platforms and podcasts. “That approach turns viewers into the judge and jury, and in doing so, reduces prisoners or exonerees to an ‘it.’ Guilty until proven innocent. This is a story about faith, second chances and what it means to hold onto love, forgiveness and humanity in a place built to extinguish all three.”


Linda Freund is an award-winning documentary filmmaker and journalist based in Barcelona. Prior to “The Window on Death Row” (2025, Spain), she directed the documentary “The Migrant Priest” (2022, Italy). Most recently, she was a senior video journalist at The Wall Street Journal. Previously, she reported from conflict zones across South Asia and East Africa. Mike Farrell has been an active figure in the U.S. movement to abolish the death penalty for decades and serves as president of the board of Death Penalty Focus. When challenging the death penalty, he says the real question “isn’t whether death row inmates deserve to live, but do we deserve to kill?”

In 2025, more than 40 people have been executed in the United States, the highest number in a decade, even as public support for capital punishment declines. “The Window on Death Row” provokes the question: If even one innocent person can be condemned to death, what does that say about the integrity of the justice system itself? “The Window on Death Row” had its world premiere in August 2025 at the Flickers’ Rhode Island International Film Festival, where it won the Grand Prize Audience Award for Best Documentary. The film also received the Best Documentary Award at the La Femme International Film Festival and the Immaculate Heart Community Filmmaker Award at the LA Shorts International Film Festival.

There will be a special FYC screening of “The Window on Death Row” on Tuesday, November 18th at the New York Film Academy Screening Room, 3300 W. Riverside Drive, Burbank, CA 91505. The screening will begin at 7:30PM with a Q&A to follow, with Freund and Farrell, moderated by radio and television commentator Mr. Mo’Kelly (“The Mo’Kelly Experience”).  

From the NFL to the Opera Stage: Ta’u Pupu’a and Mark Harris on Reinvention, Resilience, and The Platform | September 30 at 9 AM



The former Cleveland Browns defensive lineman and Juilliard-trained opera tenor joins Janeane to discuss his extraordinary journey, the award-winning short film 
The Platform, and the courage to begin again when life takes an unexpected turn.


From the NFL to the Opera Stage: Ta’u Pupu’a and Mark Harris on Reinvention, Resilience, and Finding Your Voice

What happens when the future you’ve worked your entire life to achieve suddenly disappears? For Ta’u Pupu’a, a devastating injury ended his professional football career before it truly began. Drafted by the Cleveland Browns in 1995, the former NFL defensive lineman faced an unexpected crossroads that would ultimately lead him from the gridiron to the world’s opera stages.

In this episode of Get the Funk Out, I sit down with Ta’u and filmmaker Mark Harris to explore the extraordinary story behind The Platform, an award-winning 10-minute narrative short inspired by Ta’u’s life and directed by Mark.

Born in Tonga and raised in a working-class family in Utah, Ta’u eventually moved to New York, where he pursued a long-buried passion for singing. With determination, discipline, and encouragement from legendary soprano Dame Kiri Te Kanawa, he earned a full scholarship to The Juilliard School and went on to build an international career as an opera tenor.

Now, Ta’u revisits that pivotal chapter of his life in his first-ever acting role, portraying his younger self in a film that explores identity, faith, loss, and the courage to begin again.

Mark shares the inspiration behind bringing Ta’u’s story to the screen, the creative journey of making The Platform, and how the film reflects his own return to narrative filmmaking. Together, we discuss the parallels between their experiences, the unexpected turns that shape our lives, and the power of redefining success when the path ahead looks nothing like the one we imagined.

We also talk about the film’s growing festival recognition, including its Best Drama win at the LA Shorts International Film Festival and its selection for the Newport Beach Film Festival’s Pacific Rim program.

Because sometimes the end of one dream is simply the beginning of another.



Ta’u Pupu’a - a former NFL defensive lineman whose career ended before it really began, prompting him to reinvent himself as a Juilliard-trained opera singer with an international career. He is now the subject of The Platform, an award-winning short film from Southern California writer-director Mark Harris, which has been selected for the Newport Beach Film Festival’s Pacific Rim program. I’d love to get your thoughts on setting up an interview with Ta’u and/or Mark around the festival.

Ta’u’s story is pretty remarkable. A Tongan immigrant who reached the NFL before a devastating injury ended his football career in his first game with the Cleveland Browns, he was forced to rebuild his life from scratch and ultimately found an entirely new voice as an opera singer. In the film, Ta’u portrays his younger self in his first-ever acting role, bringing unusual authenticity to a story he actually lived.

There’s also a strong Southern California connection behind the film. Writer-director Mark Harris earned his MFA from USC’s School of Cinematic Arts, and The Platform was produced by an LA-based creative team. After years building a successful career in unscripted television, Mark returned to narrative filmmaking with this project, creating a personal parallel with Ta’u’s own second act.

The Newport Beach selection continues a strong run for the film. The Platform made its world premiere at the Cleveland International Film Festival before returning to Southern California for LA Shorts, where it won Best Drama at the festival’s 30th anniversary edition. Its selection for NBFF’s Pacific Rim program feels particularly fitting given Ta’u’s Tongan roots and the cultural identity woven through his story.

Mark and producer/co-writer Monica Foley plan to be in Newport Beach for the festival, and Ta’u is also available for interviews. Ta’u’s story has already connected with audiences well beyond the festival circuit, with recent features and interviews from Access Hollywood, KTLA, KCAL, and more.

Thursday, September 24, 2026

HOPE IS ALWAYS IN THE AIR: KUCI Hosts Share What Gives Them Hope on World College Radio Day Friday October 2nd


World College Radio Day is October 2!

LISTEN=>: Hope Is Always in the Air —
“What Brings You Hope?” Featuring KUCI Hosts


College radio is more than music. It’s a place where voices are heard, new artists are discovered, unexpected conversations happen, and communities come together.

At KUCI 88.9 FM, we believe in the power of radio to connect us — to music, ideas, artists, storytellers, and most importantly, to each other.

For me, hope is always in the air. I feel it every time a new host comes into the station, a listener calls or sends a message, an artist or guest shares their story, or a song creates a connection between people who may never meet.

On World College Radio Day, we’re celebrating the power of college radio and the people who make it possible — our DJs, producers, guests, artists, volunteers, and listeners.

Tune in. Turn it up. Find something new.
And remember: connection is always on the air.

KUCI 88.9 FM | Irvine, CA
#WorldCollegeRadioDay #CollegeRadio #KUCI #KUCI889 #SupportCollegeRadio #CollegeRadioDay #RadioConnectsUs #HopeIsInTheAir

Wednesday, September 23, 2026

Tune in Wednesday, September 23rd 9:30am for an inspiring conversation with Kris Evans, an award-winning makeup artist and designer. We’ll talk about her creative journey, the art behind her work, the stories and experiences that have shaped her career, and what inspires her today.



 

Kris Evans is an award-winning makeup artist and designer whose distinguished career began in New York City. She quickly rose to prominence, traveling the world alongside Barbara Walters working with presidents, world leaders, A-list celebrities, and top-tier entertainers. 

Her artistry has graced the runways and editorial pages through collaborations with some of fashion’s most iconic designers, including Ralph Lauren, Calvin Klein, Sonia Rykiel, Norma Kamali, Thierry Mugler, Azzedine Alaïa, and Halston. Her work has been featured in publications such as Vogue, French Vogue, Vanity Fair, L’Officiel, and Elle. 

Kris has an extensive background in film and television. Her film credits include Megalopolis (with Francis Ford Coppola), The Hunger Games, Pirates of the Caribbean I, II & III, Free State of Jones, The Rum Diary, The Postman, National Treasure, Coyote Ugly, Con Air, Dr. Dolittle 2, and X-Men: The Last Stand, for which she received a Hollywood Film Festival Award for Best Makeup of the Year. 

Her television work includes Saturday Night Live, Big Sky, Generations, Once Upon a Time, The Bridge, Dirty Sexy Money and Sneaky Pete. She was the personal stylist for Bob Costas during Olympic coverage from the 2002 Salt Lake City Games through Rio de Janeiro in 2016. Kris has also contributed to music videos for artists Elton John and Brandi Carlile, Keith Richards, Rage Against the Machine, Smash Mouth, and Creed, along with high-profile commercials, including Uber Eats featuring Cher.

Kris was also the makeup consultant for the American production of Phantom of the Opera and Miss Saigon on Broadway. Kris has been featured in and quoted by numerous publications, including Vogue, InStyle, The New York Times (as a StyleMaker), Secrets of Six-Figure Women by Barbara Stanny, and The Art of Beauty by Linda Mason. 

Having earned a master’s degree in design from Syracuse University, she taught fashion design at the University of Cincinnati’s School of Design, Art & Architecture, as well as Parsons School of Design in New York. 

A longtime member of The Academy of Motion Picture Arts and Sciences (Oscars) —where she has served on the executive board of her branch—Kris is also affiliated with the Television Academy (Emmys) and the British Academy of Film and Television Arts.

Abby Savell, Founder and CEO of LA Percussion Rentals joins Janeane 9/23 at 9:00am. HOLLYWOOD’S ULTIMATE SOUND WAREHOUSE EXPANDS AS LA PERCUSSION RENTALS & RECORDING LAUNCHES IN-HOUSE RECORDING STUDIO FOR MEDIA COMPOSERS

 LAPR Opens Its Renowned Archives to Create a Live, 
Experimental Tracking Space for Film, TV, and Game Scoring

 Abby Savell, Founder and CEO of LA Percussion Rentals 
joins Janeane live on KUCI 88.9FM

LISTEN to today's show featuring Abby Savell 

 

LOS ANGELES, CA — LA Percussion Rentals & Recording (LAPR), the premier source for elite instruments in the entertainment industry, has officially announced the launch of its new in-house recording studio services.

 

Designed specifically for film, television, video game, and professional media composers, LAPR is the first of its kind, a large-scale, percussion-focused service that delivers exploration and recording in one location. It offers a fully equipped, live tracking space that gives composers a greater array of services from solo player multi-tracking to intimate ensemble sessions, providing an agile, budget-friendly alternative to traditional Hollywood scoring stages.

 

"We wanted to remove the barriers between a composer's imagination and the final recording," says Abby Savell, Founder and CEO of LA Percussion Rentals. "Instead of staring at an empty room waiting for a truck to arrive, creators can walk directly onto our warehouse floor. It is a massive sonic playground!"

 

LAPR’s vast inventory of premier orchestral gear, rare world instruments, and the historic Emil Richards collection of legendary sound artifacts has been heard on iconic Hollywood soundtracks. 

Most recently award-winning writer and composer Daniel Pemberton used LAPR resources in the summer blockbuster hit "Project Hail Mary” creating an other-worldly score with an eclectic variety of wooden instruments and some metals in key sequences.

 

LAPR In-House Recording Features include:

●      Zero Cartage Fees: Complete elimination of instrument transport, trucking coordination, and packing logistics.

●      The World's Instrument Depot: Instant access to thousands of pro symphonic percussion instruments, sound effects, and rare cultural instruments.

●      Sonic Exploration: The unique freedom to audition, swap, and experiment with rare timbres live in the room, followed by a tracking session

●      Professional Percussionists:

LAPRR staff are available to help composers logistically and creatively, helping with selection and suggesting ways to explore the instruments more deeply for sounds.

 

About LA Percussion Rentals and Recording

Founded in 2004 by professional percussionists Abby Savell and her late husband, Dan, LA Percussion Rentals & Recording is a cornerstone of the Southern California music and film industry. Housing an unparalleled collection of world, orchestral, and custom sound-effects instruments, LAPR supplies elite gear to major scoring stages, world tours, and premium recording sessions across the globe. With the addition of its in-house recording studio, LAPRR continues to innovate by providing one-stop tracking solutions for the modern media composer.

 

To set up an interview with Abby Savell about LAPR, please contact Deborah Gilels of LA Media Consultants at gilelsdeborah@gmail.com or call 818-648-9513